Jrp Ringier in Zurich published the short text The two rooms, that was proposed as a literary interpretation of the Kafka's story "Investigations of a dog", written in 1922 and published in 1931 after the author's death. In Kafka's story "the unnamed narrator, a dog, recounts a number of episodes from its past, in which it used quasi-scientific and rational methods to resolve basic questions of its existence that most of its peers were content to leave unanswered, such as: "Whence does the Earth procure its food?".

























Many of the seemingly absurd descriptions employed by the narrator express its misapprehension or confusion about the world, centering on dogkind's apparent inability to realize (or, some passages suggest, unwillingness to acknowledge) the existence of their human masters". The rational dog's thoughts and the impossibility to refuse their rational basis (even if the text shows the impasses they are driving to) relate this investigations to any vain, human effort to conclude about reality through thinking.

The "two rooms booklet" consists of a response to the Kafka's novel that insists at an oposite attitude of beings to keep doing things without investigation. Another most trivial aspect of animality is linked to the condition of tribe and its absurdities. The text is published in Greek.
The same editor published the Atlas of Transformation. The thick book is a publication prepared by Tranzit Display, Prague for the project Monument to Transformation. It is a collection of entries that capture transformation in the recent european history. The book is proposed as a dictionary containing also art reproductions and sketches.

The publication counts already two important design prizes: the one of Most Beautiful Swiss Books, Zurich 2011 and the Best Book Design from all over the World, Leipzig 2011. Its graphic design is signed by Adéla Svobodová. The volume contains entries by Adam Mazur, Adéla Gjuričová, Agela Detanico, Rafael Lain, Alexander Gerner, Alexander Kiossev, Alexei Penzin, Ana Janevski, Ana Paula Cohen, Anatolij Osmolovskij, Andrej Lankov, Aristide Antonas, Artem Magun, Ayreen Anastas, René Gabri, Babi Badalov, Beatriz Herraez ,Boris Buden, Boris Groys, Boris Ondreička, Cabello/Carceller, Cristián Gómez Moya, David Chioni Moore, David Kulhánek, Egon Bondy, Eileen Legaspi-Ramirez, Erick Beltrán, Ernest Gellner, Fang Hu, Fedor Blaščák, François Piron, Françoise Mayer, Franz Kafka, Frederic Jameson, Frederic Jameson, Georges Perec, Gilles Deleuze, Pierre-Félix Guattari, Haegue Yang, Hakim Bey, Homi K. Bhabha , Hrach Bayadyan, Chantal Mouffe, Igor Zabel, Ilja Kabakov, Jacques Rupnik, Jaime Iregui, Jens Kastner, Jeong Hwan Joe,Ji Yoon Moon, Jiří Havel, Jiří Přibáň, Jiří Suk, Joanna Erbel, Joaõ Maria Gusmaõ, Pedro Paiva, Joaquín Barriendos Rodríguez, Julia Moritz, Juliane Debeusscher, Karel Kosík, Karl Holmqvist, Karl Lydén, Kārlis Račevskis, Keiko Sei, Keti Chukhrov, Kostis Stafilakis, Lásló Csaba,Leszek Balcerowicz, Lia Perjovschi, Livia Pancu, Raluca Voinea, Magdalena Ziółkowska, Marcel Tomášek, Marco Scotini, Mariano García, Marina Gržinić, Martin Škabraha, Mikołaj Lewicki, Milan Otáhal, Milan Šimečka, Milan Zelený, Miroslav Petříček, Mladen Stilinović, Nataša Petrešin-Bachelez, Nerea Calvillo, Ninotchka Rosca, Pavel Barša, Primož Krašovec, Radim Marada, Raluca Voinea, Raqs Media Collective, Rastko Močnik, Ricardo Basbaum, Sergio Rubira, Slavoj Žižek, Srdjan Jovanović Weiss, Svetlana Boym, Teresa Riccardi,Timothy Garton Ash, Tomáš Pospiszyl, Tomislav Z. Longinović, Václav Bělohradský, Vangelis Vlahos,Vassilis Vamvakas, Viktor Misiano, Vlad Morariu. Yannis Stavrakakis, Yelena Vorobyeva,Viktor Vorobyev, Zbyněk Baladrán, Zdeněk Košek, Zdislav Šulc. The chief editors are Zbyněk Baladrán and Vít Havránek. The project direction was done by Věra Krejčová.